Now that SPECTER is out, some groups may want to gather to read/discuss it. So may I present:
SPECTER Discussion Guide
By John Desjarlais
SPECTER is the third novel in a contemporary mystery
series. While it can be read as a stand-alone, an acquaintance with the earlier
two entries can be useful. Story summaries for BLEEDER and VIPER appear below.
The questions can be used in a single meeting or, as
in some college classes, in two weekly meetings – reading the first half of the
book in Week 1 and the rest in Week 2.
Some
notes for discussion facilitators:
- Read the
book yourself first – OK, this may be obvious. But you’ll want to
allow yourself time to think about the book and prepare before your group
meets.
- Take note
of important passages/pages – Read with a pencil in hand and
take note of passages that struck you, or things that you think might come
up in discussion. Write the page numbers somewhere – in the blank pages at
the back of the book, or in a note book - so you can find the passages
during the discussion.
- Let others
talk
– You’re a facilitator, not a teacher. So ask questions, and invite
questions from others. Let others
in the group speak first. Your first task is to provide a welcoming
climate that promotes conversation and helps all participants feel like
their opinions are valuable. Don’t be afraid of silences. People are
thinking. There’s usually no need to jump in if no one answers right away.
Sometimes – if everyone looks puzzled instead of pondering - you’ll just
need to rephrase the question.
- Remain
flexible and be alert to making connections – You have
some prepared questions in this guide, but you needn’t march through them
in order. Someone might pipe up early with a comment that Question #4 or
#5 addresses. That’s ok, go with the flow. You are the facilitator, and
you can go with whatever order seems to work. If you go in order, connect
an answer to a question with the next question. By connecting people's
comments to the prepared questions, you'll build a sense of unity and
direction in the discussion.
- Still
waters run deep
– While you don't want to pressure anyone, you want participants to feel
that their views are valued. If you have a few talkative people who always
dive in, keeping others quiet, try directing a question to a specific
person. A simple “Leslie, what did you think about that?” will do. This can
help draw out the quieter people (and let the more active people realize
that others deserve a turn).
- Be careful
about digressions – People join book discussion groups because
they like to read and learn – and socialize. Off topic conversations are
ok, but people are here because they’ve spent a few hours reading a book
and expect to talk about it now. It is your job as the facilitator to
identify digressions and gently draw the conversation back to the book.
Save casual conversation for a refreshments time to follow the discussion.
- Don't feel
as though your group must answer all the questions - The
questions are here as a guide only. It isn’t a quiz. Maybe you’ll only get
through a few, and maybe you’ll decide to select only a few from the guide
to use. That’s fine. Group members will likely come up with their own
questions, too. Keep an eye on the clock and conclude the discussion near
the agreed-upon time, rather than pressing on to finish everything you
prepared.
- Closing the
conversation
- One good way to close the conversation and help people summarize their
opinions is to ask each person to give the book a 1, 2, 3, 4 or 5 star
rating. If someone has been taking notes, perhaps the group could agree to
post a review at Amazon.com that would assist other readers and groups.
- Getting
some background – A. There might be interest in the real crime
that prompts the story. While Appendix
I provides some updates not covered in the story itself, you could
also use an Internet search engine to find “Cardinal Posadas Ocampo” for
additional research. B. The story might raise an interest in ‘ghosts.’ Be
careful here. There is a great deal of uninformed secular speculation
fueled by popular TV shows. Given the Catholic context of the novel, it
would help to focus attention on the Catholic understanding of the
afterlife. A search for “Catholic teaching on ghosts” will lead to
trustworthy sources. Here is an especially helpful one: http://irenaeusgsaintonge.blogspot.com/2011/05/catholic-teachings-on-ghosts.html
This SPECTER summary may be useful in promoting your
book club/discussion:
1993: the Cardinal of Guadalajara is gunned down at
the international airport just before meeting the Papal Nuncio coming for a
state visit.
2008: The Vatican re-opens the case, no longer
convinced the Cardinal was accidentally caught in the crossfire of rival drug
gangs.
Now: Former DEA Special Agent Selena De La Cruz is
asked to join the investigation, since her Papá
– a former Mexican oil company executive and diplomat – may have had a part in
the murder, resulting in his own death. But what, exactly, was his part? With
fiancé Reed Stubblefield, Selena digs up clues only to uncover a shocking family
secret that threatens to destroy those she loves the most. And is she merely dreaming about Papá, or is he appearing
to her from Beyond the Grave to deliver a warning?
DISCUSSION QUESTIONS
1. Reed Stubblefield and
Selena De La Cruz first met in BLEEDER and became engaged in VIPER. How would
you describe their relationship and individual personalities? What attracts
them to each other – after all, Reed acknowledges that even apart from their
Anglo/Latin difference they seem to be “incompatible. I’m North Side,
you’re South Side. I’m Cubs, you’re
White Sox. I drive a Volvo, you drive a Charger.”
2. What seems to be troubling, or repelling, in their
relationship?
3. What do we learn about the relationships within
Selena’s family? How does Selena’s relationship with her deceased father and
pious godmother complicate her life with Reed?
4. Why does Madrina
believe Papá is appearing to them
from Purgatory? What is your understanding of this belief? What do you make of
Selena’s explanation of it on page 57-58? You can see the official Catholic
teaching in the Catechism of the Catholic
Church, paragraphs 1030, 1031, and 1032: http://www.vatican.va/archive/ccc_css/archive/catechism/p123a12.htm
There is a small ‘museum’ in Rome that displays
items purportedly proving the existence of this intermediary state and the
‘ghostly’ appearances of suffering souls to the living: find it at http://www.traditioninaction.org/religious/e048-Museum_1.htm
5. “Ghosthunter” hobbyist Sean explains ‘ghosts’ from a
Catholic perspective on page 125-126. How does his explanation compare to
secular representations in popular TV shows? Why is it important for Sean to
pray for spiritual protection before proceeding with his investigation?
6. Do Reed and Selena react to various revelations the
way you think you would in a similar situation? Do you find their actions
troubling? Are their actions consistent with their characters? How do they
change through the course of the story? What events trigger such changes? What
do you make of Selena’s somewhat flirty attraction to Von Bingen?
7. Is “The Beast” a prop or another male character?
8. What kinds of ‘secrets’ drive the story? What
effects do secrets have on family life? How is forgiveness possible when family
secrets have such profound, long-lasting effects?
9. What
actors would you cast in the roles of the characters if the book were made into
a motion picture?
10. The Vatican still regards the true case of the
Cardinal’s assassination open. SPECTER proposes a resolution to the case. Do
you find it plausible?
11. What did you think of the final confrontation? The
ending? What does the Biblical quote in the “Epilogomenon” add to the
resolution of the story?
12. Do the location and environment of the book color
the telling of the story or are they merely a backdrop? What effects do the
settings have on the central characters?
13. Characters change in a story, but do you, the
reader, feel 'changed' in any way? Did the story expand your range of
experience, challenge your assumptions or affirm your beliefs?
14. If you could ask the author a
question, what would you ask? Have you read other books by the same author? If
so, how does this book compare? (Consider inviting the author to ‘meet’ the
group via Skype or a conference call – jjdesjarlais (at) johndesjarlais (dot)
com).
15. If you gave the book a rating of one to five stars
(five being high), what would you give it? What would you say in a one-or-two
sentence review to explain your rating? Consider posting your ratings/reviews
to amazon.com or goodreads.com
BLEEDER Summary:
When classics
professor Reed Stubblefield is disabled in a school shooting, he retreats to a
rural Illinois cabin to recover and to write a book on Aristotle in peace.
Oddly, in the chill of early March, the campgrounds and motels of tiny
River Falls are filled with the ill and infirm -- all seeking the
healing touch of the town’s new parish priest, reputed to be a stigmatic.
Skeptical about religion since his wife’s death from leukemia, Reed is
nevertheless drawn into a friendship with the cleric, Rev. Ray Boudreau, an
amiable Aquinas scholar with a fine library -- who collapses and bleeds
to death on Good Friday in front of horrified parishioners. A miracle? Or
bloody murder? Once Reed becomes the prime 'person of interest' in the
mysterious death, he seeks the truth with the help of an attractive local
reporter and Aristotle’s logic before he is arrested or killed -- because not
everyone in town wants this mystery solved...
Reviews of BLEEDER:
"Pure
enjoyment!"
Seattle Post Intelligencer
"Crisp and original...It keeps the reader trying to guess whodunit, just as a good mystery should; and, as the better representatives of its kind do, it also provides an ending of suspense and real surprise. Any fan of mysteries would enjoy this novel, but for those who also enjoy reading the prose of a master craftsman, I would recommend it even more highly."
St. Austin Review
Seattle Post Intelligencer
"Crisp and original...It keeps the reader trying to guess whodunit, just as a good mystery should; and, as the better representatives of its kind do, it also provides an ending of suspense and real surprise. Any fan of mysteries would enjoy this novel, but for those who also enjoy reading the prose of a master craftsman, I would recommend it even more highly."
St. Austin Review
"Smart,
frequently witty, and beautifully researched (the author’s paraphrasing of
Aristotle’s logic is an intellectual delight), it is refreshing to read a book
where faith is neither demanded, nor held up to ridicule."
Mystery Scene
Mystery Scene
VIPER summary:
Haunted by the loss of her brother to drugs and a botched
raid that ended her career with the DEA, insurance agent Selena De La Cruz
hoped to start afresh in rural Illinois. But her gung-ho former boss needs her
back to hunt “The Snake,” a dealer she helped arrest who is out of prison and
systematically killing anyone who ever crossed him. His ‘hit list’, appended to
a Catholic Church’s All Souls Day ‘Book of the Deceased,’ shows Selena’s name
last. Working against time, small town prejudice and the suspicions of her own Latino
community, Selena races to find The Snake before he reaches her name while a
girl visionary claims a “Blue Lady” announces each killing in turn. Is it Our
Lady of Guadalupe or, as others believe, the Aztec goddess of Death?
(VIPER was a 2013 Catholic Arts and Letters Award Finalist)
VIPER reviews:
"Compelling
characters, an engaging plot and a 'can't put it down' vibe combine to make Viper
another literary jewel from one of my favorite novelists, John Desjarlais. Viper
picks up where Desjarlais' hit Bleeder left off, and John's writing is
better than ever. The cultural underpinnings that color Viper are rich,
diverse and well researched, and its action and dialogue will have you
instantly connecting with heroine Selena De La Cruz.”
Lisa M. Hendey, Founder of CatholicMom.com
Lisa M. Hendey, Founder of CatholicMom.com
"Entertaining
and thrilling...a fascinating mystery and a fun read, with more substance
than your average best-seller."
St. Austin Review
St. Austin Review